Manual Tales of the Cthulhu Mythos

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The stories are hit-or-miss, but I should point out that a lot of them are from the 's and written by Lovecraft's friends, so they have some historical relevance to the general Lovecraftian mythos. Some of the later authors, like Farmer and King, are also good, but again, it's hard to I can't give it more than three stars because the other tales are derivative, but if you've read all of Lovecraft and you want to read stuff he inspired by mostly competent horror authors, this is a great book.

Some of the later authors, like Farmer and King, are also good, but again, it's hard to hold it up to Lovecraft and expect the same sort of prose. Only two or three stories are by Lovecraft. If you want to read him, go buy a Lovecraft-only book and do it properly, or listen to the radio plays View 2 comments. Sep 21, Marissa rated it liked it Shelves: lovecraft. This is a good book to have to see some very important Mythos tales penned by HPL's friends and contemporaries, which add a lot to the Mythos. There are also some Lovecraft-inspired stories that were written later, after HPL's death.

Not all of these stories are winners, however.

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For example: I understand August Derleth's importance in getting HPL widely recognized, but that doesn' This is a good book to have to see some very important Mythos tales penned by HPL's friends and contemporaries, which add a lot to the Mythos. For example: I understand August Derleth's importance in getting HPL widely recognized, but that doesn't change the fact that his Mythos stories are punishingly awful. View 1 comment. I felt bad after reading The Best of H. Lovecraft and struggling massively to get through it.

PRESS RELEASE: The Red Brain: Great Tales of the Cthulhu Mythos Edited by S. T. Joshi

I said to myself, where, exactly, is all of the horrifying horrible horror-stuff that is so closely associated with Lovecraft and the Cthulhu Mythos? I honestly don't think it's because I grew up in an era where horror and violence are pretty freely shown in movies and on TV, and therefore Lovecraft's stories don't have as much of an impact.

I'm not a horror movie watcher by any means. I simply didn't I felt bad after reading The Best of H. Now I'm starting to change my mind.

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This anthology started out brilliantly, with the iconic Call of Cthulhu , and other stories by writer's in Lovecraft's circle. The literary conceit is kind of cool, because they include or reference each other's characters, and even each other, in their stories, creating this alternate universe where the Old Ones really do have power, where the Necronomicon is an actual book, and where these events actually occurred.

Even Lovecraft himself becomes a figure in the stories, as an author, as an explorer of the supernatural and horrific, and even as a prophet. However, I found some of the newer entries in this Mythos to be a bit out of step with the original feel of Lovecraft's writings.

For, I found, Lovecraft's stories were as much about his setting as the actual menace from gigantic, multi-dimensional space beings. Arkham, Innsmouth, Miskatonic University--these places are rendered so carefully, so menacingly, that they play as great a role in the stories as Cthulhu, Yog-Soggoth, and other horrors. The newer stories pulled a bit too far away, "ran with it" a bit too much. The last story in the collection, particularly, with its weird cyborgs-from-Neptune-having-sexytime opening, totally incomprehensible conception of world history in the future in reverse, and bionic-blah-dee-blah left me cold.

Indeed, many of these stories felt as though the Lovecraftian connection was forced, as if the author said, "Hey! If I toss in a couple of these heavy-on-the-consonants names, my stories can be part of the Cthulhu stories! I did like Stephen King's story, although it's only the second thing I've ever read by him, because he has a sneaky sort of wit about his writing that charms me. The not-very-good and downright weak stories here made me appreciate the original much more than I did the first time around, so I'll probably seek out more of Lovecraft.

The weakness of some of the included stories dropped this down to three stars. A lot of fun stories, but they have the pace and subtlety of pulp. The two Lovecraft stories, on the other hand, are masterful, and the stark contrast between HP and his imitators shows why Lovecraft, in his sweeping imagination and incredible technical skill, has become the cultural touchstone that he is. If you're interested in Lovecraft's influence beyond simple engrossing entertainment value, you may find this collection more interesting. It's a worthy case study for understanding how Lovecra A lot of fun stories, but they have the pace and subtlety of pulp.

It's a worthy case study for understanding how Lovecraft fits into his own world in the imaginations of his fans and imitators: in these stories, he is represented as an ill-understood horror author a fair imitation of his real-world persona , but then he's elevated into a sort of scholar mystic prophet, whose horror stories become a sort of clandestine bible of the cosmic apocalypse and humanity's ill-fated destiny.

From serious to twisted to amusing, they're stories worth reading, but it's Lovecraft's singular talent that really holds the circle together. Mar 18, Myridian rated it it was amazing Shelves: horror. This is a collection of stories by H. The stories vary in their quality and style from the excellent, classic, Victorianesque prose of the greats, to more free-form styles of contemporary authors. I tend to prefer the former style, but some of my favorite stories also come from the more current authors. Some of my favorites were: "T This is a collection of stories by H. This review has been hidden because it contains spoilers.

To view it, click here. First published in and much reprinted since occasionally as two slimmer volumes, as with the Panther paperbacks published in the UK in the s , it proved that there was life to the Cthulhu Mythos beyond its originator H. Lovecraft by collecting various short stories inspired by and expanding on his work.

It says something that this collection feels as fresh now as it ever did. I should note that I'm a huge fan of the Mythos, so this collection was right up my street. I should note that some of the reviews here on Goodreads seem to be for a different, more up-to-date anthology. The one I read was released in and has been re-released subsequently; my copy was dated The 'latest' stories in my version are those written in the s by Lumley, Campbell, and Wilson; none of this new-fangled Stephen King et al nonsense! It's a classic piece of writing that serves as a perfect introduction to the Mythos for newcomers, and what's particularly impressive alongside the immersive writing is the way international events are tied neatly and precisely together in the short story form.

The Necronomicon makes its presence known in a superb piece of old-fashioned pulp which is even better than the Lovecraft tale that preceded it. Smith's depiction of London as a chasm on the brink of a bubbling darkness is, simply, fantastic, and this is a top read too. As editor, Derleth couldn't resist including a couple of his own pastiches. Both are light, fun and breezy, if a little insubstantial.

HorrorBabble's COMPLETE DREAM CYCLE by H. P. Lovecraft

Vernon Shea and focuses on atmosphere thoughout. A TV horror host lives near a creepy graveyard and encounters much in the way of psychological fear and thrils.

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For once, the horrors are all in the mind. It's hugely entertaining. The atmosphere is key and the locations are out of this world no pun intended. It's a perfect combination of detective fiction and Cthulhu lore. The events are predictable, but the idea of having a year-old narrator makes for a fresh and involving read, unique among Cthulhu fiction. The result is distinctly Campbellian in tone: cold, psychological, hugely atmospheric, and oddly sexual.

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It's a fine attempt to do something different, even if the ending is a little rushed. This one's all about ancient nastiness lurking in rural Wales, and there's a ton of real-life material to back up the fictional story. The plot is far-fetched and wide-reaching to boot, and as a whole this is as unpredictable as it is enthralling.

Apr 28, Edward Taylor rated it it was amazing. Here we have just the right mix of modern authors as well as Lovecraft's "Mythos" peers collected into one solid volume. The Hounds of Tindalos, The Black Stone, The Return of the Sorcerer, and Jerusalem's Lot are all stand out stories and give a great primer to people that not only want to see what is out there without Lovecraft's fingers in their pies in regard to the Mythos, but what can easily be seen as stand-alone stories in their own right.

Nov 12, John Frasene rated it liked it. This book as a whole was a bit disappointing because so few of the stories contribute to or even draw on the Cthulhu Mythos. As are the two Lovecraft stories, obviously. Sep 02, Whiskey added it. Cthulhu is a creature of enormous size and malevolent intent. The creature was created by H. Lovecraft and has since been featured in the writings of numerous authors. Cthulhu, one of the Old Ones, is generally described as having an octopoid head atom a grotesque and scaled humanoid body with rudimentary wings.

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Its hands are described either as claws or possessed of long talons. Cthulhu is most-fully described in The Call of Cthulhu; the name is spelled in alternate ways in some of the other Cthulhu is a creature of enormous size and malevolent intent. Cthulhu is most-fully described in The Call of Cthulhu; the name is spelled in alternate ways in some of the other stories in the collection.

Cthulhu is significant for lending its name to the entire sub-genre as well as for becoming a sort of pop culture icon.